A bit closer to the mic gives a boost in bass from proximity effect which I might want at times. From a practical viewpoint, the NT1A is a little lighter than many of its contemporaries, which makes mic-stand sag less of a problem, and the very low noise means it won't struggle when recording quieter instruments or when working at a moderate distance from the sound source. Win! My only two complaints both come from the new SMR shock mount. On most voices, the sound comes over as gently flattering and well focused, and of course this attribute bodes well when you come to mic acoustic guitars and other instruments. Where's the sweet spot? The lack of any heavy-handed presence boost makes the sound well suited for use with a range of singers and vocal styles and makes it's also easy to fine-tune using modest amounts of EQ. I can try to provide some sound examples if you want – I'm new to the site and I'll need to find out how to. The mic can run from 24-48V phantom power. Ever since the NT2, Rode have been stirring up the mic market, and their range now includes a variety of respectable valve and solid-state models priced for the project studio owner. But this is no slavish emulation, Rode has managed to capture that essence of a real workhorse with the NT1. Transformerless JFET circuitry is used to amplify the signal from the capsule, and the circuit board employs surfacemount components. The Rode NT1 provides a unique sound; with bright highs, solids mids, and warm lows, it covers the whole spectrum and sounds very natural. It is supplied in a cardboard box rather than a fancy case, and looks less macho than some of its competitors, but it comes with a good metal shockmount and a … The new NT1 is one of the better sounding condensers at its price point. If its your first time using a studio condenser you have to relearn everything you knew about singing through a stage mic. Two new large-diaphragm mics from Rode improve on their previous technology for a classy sound with exceptionally low noise. The views expressed are those of the contributors and not necessarily those of the publishers. However, I suspect most users will buy the NT1A predominantly for use as a vocal mic, where it delivers a very modern sound, balancing transparency and airiness with a supportive lower mid-range. Despite its low cost, the NT1A delivers professional performance, both for vocal recording and for general instrument use. Rather than having switchable polar patterns, the uppermost knob allows the pattern to be varied continuously from omni, through the centre-detented cardioid position, to figure of eight. It's transparent high end also enables it to do a great job on acoustic guitar and hand percussion. Of the more well known vocal microphones, the one that "ducks" (avoids) bad room tone the most IME is (drum roll please. Any idea what is wrong? A locking ring at the bottom secures the mic to the included SM2 shockmount, and the whole kit comes in a bespoke moulded plastic case. It’s voiced with less emphasis all-round, which makes it a great all-purpose mic. I just recently bought a Rode NT1-A condenser microphone for home recording, went out and bought a mixer making sure it had phantom power. The sound quality is absolutely fantastic.. 85 bucks if I remember correctly. How can I find the sweet spot where it sounds clear, crisp and cut-through? By comparison, many large-diaphragm mics have a signal-to-noise ratio of between 75-80dB. There's nothing thin or edgy about the sound and, because there's no excessive inherent coloration, they respond well to EQ — you're not constantly trying to fight the mic's in-built character. Q. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. There's no mistaking the NT2000 — its distinctive three-dial control panel is quite unlike anything else on the market! The mic is very solidly built and chunky, with a machined all-metal body finished in satin nickel plate. somewhat the opposite of what you are experiencing. We can also see that the mid-highs are slightly more exaggerated in … I tested both these mics side by side and found that the sound in cardioid mode was quite similar — there was a wonderful sense of high-end detail, but without the sound becoming thin or harsh. Goes rode nt1 sound zero to 10dB of cut a `` hybrid '' audio anyway... Previous technology for a classy sound with exceptionally low noise the included pop Filter, though very sleek is... On the market the sound is somehow `` muddy/unclear/distorted '' to me just! 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